Thursday, 20 October 2016

WAGS Cultural Tour - Lagos 19.10.2016 ( Then there were three )

Those observant WAGS with an eye for language and syntax will have noticed that in the sub-title for this blog I only used 6 different letters out of 18 used, which is exactly twice the number of participants in this educational yet energetic walk.
      I don't know if it was my casual use of the word 'cultural' in the email or WhatsApp call circular, or whether 'semi-rural' was the obstacle, but in the end the excuses came flooding in from recent hospitalisations, family visiting, having to report back to the AWW about our activities, returning to UK, or not wanting to walk without dogs.  The result was that only3 of us showed at Cafe Bairro for a caffeine sharpener at the crack of 10 am on the given date.


Thus the starter photo was unusual with only 2 of the 3 in the photo (absence of Gorilla Pod) and they studiously ignoring each other!

However we set off briskly just before 1030, and soon one of the major street art pieces hove into view.

Skeleton with a camera, and the WAGS Art Appreciation Society

I won't bore you in this blog with details of the discussions of meaning, criticism of brush or spray can technique and other fine details covered. I will just show the views seen on the way round, the names by which I know the paintings, and a summary of our efforts.


 A quick stop to discuss the history of the Ermida e Tanques de S. Joao Batista, which has now been restored by the local Romanians and is used as a focal point for their sunday religious meetings.



The next piece was by Woodman, who depicts what can only be a WAG taking a break after a hard Wednesday WAGging.


And then we came to the rural part of the walk.  What looks like water in the centre of the picture is banks of solar voltaic panels set up in the hopes of some investment income by a private individual.


  And now the Adventure part of the walk - a tunnel. Myriam went first in case of peril to the two larger framed members of the tour.

  

   There was light at the end of the tunnel as Rod emerges into the sun.


 Soon we came across the allegorical 'Vertical Bus' which symbolism caused many theories to be advanced.


Over halfway now and the other two WAGS were so engrossed in their phones that they failed to notice the satirical wall painting beneath the flyover. 


Further on, a commissioned wall painting of Lord Baden Powell on the end of the Scout House of the 173rd Lagos Troop.   A short discussion was stimulated about the difference in media and compensation culture since those innocent days, which quickly spread to Jimmy Saville and Sir Cliff!


A piece new for this year by a Dutch Artist  Daan Bottlek, who gives a unique interpretation of Newton's Cradle, or is it a Scottish pub queue?

    On to Rua Lancarote de Freitas near the Cultural Centre where there is the greatest concentrations of street art. This one of Snails is by Roa a very famous street artist. 



 A type of Gordian Knot and some tiles incorporating Picasso's likeness.
       

The Crouching Woman. If only the building had been higher she could have been more comfortable.


The Fish is apparently a significant detail from the above Crouching Woman.


Lady with a tear in her eye.


Mr Frog on the wall of the public allotments.


A rather gorgeous warrior queen on the wall of a Strip Club.


A rather damaged and faded but once spectacular allegory of peasants going to war and fading away.


A quality painting of a Smoker. Maybe the Artist as an Old Man.



Finally to the LAC HQ, the Old Gaol, where the artists were all given spaces this year. Two works by different Artists done recently. The falling man was done by 7 overlapping stencils, and the fierce dog by even more smaller stencils.


Inside the toilet facing the commode. Use your imagination for the translation.


 In the main room of the Gaol, a picture by Portuguese Artist Third above.



This painting by another Porto artist, Mots (real name Diogo Ruas) painted all 4 walls and the ceiling of one of the rooms at the jail – here is a detail from his painting which is perhaps redolent of M C Escher. 




Next, here is a creation on 3 walls of the old jail’s exercise yard. It is by M-City (Mariusz Waras from Poland) . It depicts workers fleeing from burning offshore oilrigs, with a reference to local virgin olive oil – highly topical in the light of crazy plans to drill for oil off the Algarve.


 And a piece of photographic art by me of a Fig Thief inside the courtyard, no doubt due to get sentenced.


 And last of all, a tongue in cheek piece by Dann Bottlek, the Dutch Artist, titled by him and inside a stairwell in the Gaol.

From here it was a short walk down the hill to Cafe Bairro and the long anticipated lunch. Myriam and I had Ensopada de Lulas for €4,00 and Rod had an enormous tosta mista for less.

The tale of my Garmin  GPS read:-  

  ......  making it look very respectable, but Komoot and Rod's cutprice Samsung made it only 9.3 km.  Go with the Garmin!!

   We all love walking in the country, surrounded by venomous snakes, vicious aggressive bees and all manner of strange odours not to mention impassable streams, mud and an unsympathetic sun, but urban walks should not be overlooked. There is usually something of interest to observe even though there may not be a theme, the underfoot is level,  shade and coffee bars abound and there are plenty of dropout options.  Think of your area. There must be a 10km walk where you can introduce other WAGS to curiosities. Think about it!


The history of modern art is also the history of the progressive loss of art's audience. Art has increasingly become the concern of the artist and the bafflement of the public.

Monday, 17 October 2016

WAGS 12.10.2016: We've still got it!

A new Blog, which has lain fallow for a year or so, since the WAGS were formed as a vehicle to keep Chris and myself mobile, at the Lagos end of the Algarve.
   As is often the case, things escalated and now we have 18 on the email list and 8 on the super elite WhatsApp Messaging list.. Of these 13 have walked at one time or other, as far as I can remember.
    Anyway, to christen the blog, what better than a top end of scale walk from the famous Casa Pacheco in Romeiras.
   So on the damp grey morning after the first significant rain of the season nine of us and 3 dogs met at Dona Aldina's fine establishment in Romeiras. Sadly her husband had passed away in April, and she was only opening sporadically to keep herself busy. She fired up the coffee machine when Myriam and I arrived to find her tending the field next to the cafe.



L-R John H, Rod, Myriam, Dona Aldina, Paul, Hazel, Anne, Janet, Tony, Ingrid

We had very little rain which only drifted softly down for a few minutes as we started the long ascent towards the Marmelete Road.  Being cooler we made reasonable time, but it soon became apparent that I had not clearly remembered the length of the walk, and we ended up doing closer to 15 km than 11 as I had intimated.


One Man and his Dog, or the Loneliness of a Long Distance WAG

Actually that is literary licence, as it is not his dog, and John was acting in an UnWAG like manner by sprinting off uphill at a regulation AWW rate, and leaving us in his wake. He has still got it anyway.

   We identified the correct turning to begin the descent into Azenas, up near the Marmelete road, but by then the slope was taking its toll and the party was well strung out.  The beehives which had previously claimed Tina and Peter Schroeder as their victims were more numerous than ever, but luckily the damp cool day had kept most of the bees inside watching BV and we crept past with no incident and alas not even a photograph


At one point we identified a boundary post daubed in blue which had lasted since the second crossing of the Algarve in 1999. Three of the oldest hands posed with it.

The return was along the river valley, fairly flat and without incident though there were some giant plants growing in openings below the road and watered heavily by the stream.


Ingrid and Janet refused my invitation to climb down to give the picture some scale, so you will have to believe me when I assert that these giant leaves were over a metre in length.


John produced a track and profile of the walk, regrettably un-annotated, but according to my GPS we did just on 15 km and climbed 280 m. John made it 14.1 km and  416 m. so we will show ourselves in the best light and agree on 15km and 416 m in around 4 hours.




The definitive version, but some of you will have seen my Komoot Tour which is circulated beyond my control at the end of each recorded walk.

As we had run overtime by about an hour, several of our number were expressing anxiety about medical appointments and such. Ingrid headed of from Romeiras, but the rest of us set off back to civilisation in the form of Odiaxere where we had decent bifanas and tosta mistas at Cafe Lopo.   Myriam cancelled her appointment and stayed for the lunch.
     
This was a top of the scale walk for the current WAGS and if Chris had been walking we may not have attempted it. It is worth reminding ourselves of the spec.:-
 C.10km <3hrs, as little elevation as possible unless it is absolutely necessary, and most important a coffee at the start and some lunch at the end.  No rules except you are responsible for your own actions and navigation if you lose contact, and no surprise guest walkers without the courtesy of asking the leader. It is not an allcomers group, membership just by invitation and approval, Michael Gove would find it no easier to join the WAGS than he did the Beefsteak Club. See HERE

  I am almost tempted to change the name to the Sublime Society of Bifanas, but I wouldn't want to limit our choices.
   Yes and before the wail goes up, we do allow women as long as they behave in a decorous and proper fashion and tolerate the occasional episode of male chauvinism.


"A good essay must have this permanent quality about it; it must draw its curtain round us, but it must be a curtain that shuts us in not out".         Virginia Woolf on Literature



"The older one grows, the more one likes indecency."
                                                                     Virginia Woolf on Age and Aging